
How do I
teach?
Whom do
I teach?
What do
I teach?
What
is the Suzuki Method?
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Teaching Philosophy
Teaching, for me is, passing on knowledge,
self-discipline, effective work habits, and confidence in one’s ability
to pull together components of previous learning to solve a present
challenge. Example: run by the computer on your shoulders how you got
the tone you liked in the study we just did and how you could get the
same tone in this passage and then show me.
How do I teach?
I believe that I teach with love for the student and love of music.
I teach by showing an example of what I want the student to do, how to
do a technique, how to shape a phrase, etc. In short, I play, now
you play.
I teach by breaking down the challenges into small more easily mastered
pieces.
In short I teach by the Suzuki method.
Whom do I teach?
I teach boys and girls beginning at age 4 or 5. I take on students all
through grade and high school ages and I have taught adults. Some of
course, are beginners, others range up through high school orchestra
levels.
What do I teach?
Well, violin! But I hope that the student is also learning how to
listen to himself and others appreciatively, so as to be able to learn
from those around him. I also hope he develops the finer side of
the human being, which is often displayed in the arts. I use the Suzuki
method for teaching younger children.
What is the
Suzuki method?
Well, it started with Dr. Suzuki’s wonderment at the
realization that all children learn their native tongue very well and
naturally. They hear it around them a great deal. Then when they try to
say a word, their parents are delighted and encourage them.
From this realization about language acquisition, came Dr. Suzuki’s
basic tenants of thought and action in teaching music to children. He
believed strongly in the importance of the environmental influences on
the young child. The two main influences, which he emphasized
regularly, in connection with young children learning music, are:
# 1, the constant repetition around the child of the sounds of the
music to be learned by listening to a CD,
# 2, the praise and appreciation of the child’s efforts as
spontaneously expressed by the parent and teacher.
These elements naturally encourage the constant repetition of his or
her efforts by the child. The repetition of the sounds as they are
produced and used in everyday speech, or the sounds of whatever piece
of music the child is working on, form for the child the goal of his
efforts. And so these are the building blocks of the Suzuki Philosophy:
#1 Rich saturation of the environment of the child with the sounds
which he is striving to imitate,
#2 Sincere praise and appreciation for his efforts,
#3 Encouragement to continue many, many repetitions of what he is
striving to master.
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